Kata of Shinto Muso Ryu Jo

神道夢想流杖

Kata of Shinto Muso Ryu Jo

神道夢想流杖

Shinto Muso Ryu is a well structured and comprehensive martial system of Sword and Staff use. And though the sheer number of kata can appear daunting, in reality the groups of kata develop a student in a step-wise progression of techniques and combative strategies.

These groups of kata mesh like fine gears in a way that is astounding! SMR has not remained static over the years, these kata we study today are the result of literally hundreds of years of refinement and growth by the military police of the Kuroda in Kyushu, Japan. All traditional SMR kata are done in pairs (Sword vs. Staff – Uchidachi vs. Shijo), there are few solo exercises and no solo kata.

 Regarding swordsmanship (Kenjutsu), it should be clear to even the casual observer that a high level of skill with the sword is necessary to produce a skilled jojutsu exponent.

The reality is that the kenjutsu studied and used within Shinto Muso ryu is rich, effective, and copious. Students spend almost the same amount of training time with the sword as they do with the Jo, and as time goes by the more experienced students will spend even more time learning to effectively use the sword.

    Kihon & Seitei Kata
    Omote
    Chudan
    Ran’ Ai
    Kage
    Samidare
    Gohon no Midare
    Okuden / Shiai Kuchi
    Gokui Hiden / Go Muso no Jo
    Heiden Bujutsu (or Fuzoku Ryuha)
    Shinto Ryu Kenjutsu
    Uchida Ryu Tanjojutsu
    Isshin Ryu Kusarigamajutsu
    Ikkaku Ryu Juttejutsu


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    Kihon 基本 &

    Seitei Kata 制定形 of modern Jodo 杖道

    These Kihon and Kata were created by Shimizu Takaji, along with Otofuji Ichizo and a committee of Kendo Association representatives in the 1950’s & 60s. Shimizu Takaji, through his instructing of the Tokyo Police, recognized the need for a method of teaching Jodo that accommodated much larger class sizes than are found in traditional Shinto Muso Ryu dojo. Where small groups of students receiving one-one-one instruction is the norm.

    The result was the Zen Nihon Ken Renmei (ZNKR) Seitei Jodo system containing twelve forms (kata) and twelve basic techniques (kihon). This could be considered a ‘compact’ Jodo system, taught as a stand-alone training curriculum, and often taught in Kendo dojos.

    Both the basic techniques and forms are drawn primarily from the koryu martial art of Shinto Muso-ryu, and are strictly speaking, not part of traditional Shinto Muso Ryu Jo kata.

    These kata were chosen from the three first series of SMR: Omote, chudan and Ran’ Ai as they were seen to best represent the art. Ten of these kata were taken from the existing SMR kata but with minor modifications as to better suit the requirements of the Kendo Federation.

    These modifications often involve timing, distances, targets, and overall movements to make the kata a bit safer. And to reflect the Kendo predisposition for ‘squared’ postures and body alignment, and relatively taller stances.

    The two other kata was created specifically for the new Seitei Jodo system (Suigetsu & Shamen) and was not part of the original SMR-system. Seitei Jodo is today taught as a part of the Zen Nihon Kendo Renmei (All Japan Kendo Federation).

    Today thousands of people study Seitei Jodo and engage in kata competitions organized by the overarching Kendo Federation (ZNKR), and may earn black belt ranks (up to Hachidan / 8th dan). This is one of the largest differences between traditional Shinto Muso Ryu Jo and Seitei Jodo. Some SMR dojo participate in the Kendo Federation examinations and competition, in addition to the traditional SMR kata study.

    Traditional SMR has no competitions or black belt rankings. But many traditional SMR dojo use the Kihon and Seitei Kata as a way to introduce the Jo/Sword fundamentals to new students. 

    The Shobukan Dojo does use Kihon and Seitei Kata for training purposes, but does not participate in the ZNKR examinations or competitions.

    KIHON - solo (tandoku) or in pairs (sotai)
    本手打Honte UchiNormal hand strike
    逆手打Gyakute UchiReverse hand strike
    引落打Hiki Otoshi UchiPull, drop, strike
    返突Kaeshi ZukiReturn & thrust
    逆手突Gyakute ZukiReverse thrust
    巻落Maki OtoshiWrap & drop
    繰付Kuri TsukeSpin, attach to, pin
    繰放Kuri HanashiSpin & release
    体当Tai AtariBody strike
    突外打Tsuki Hazushi UchiStab to outside & strike
    胴払打Do Barai UchiStrike to body/thoracic area
    体外打Tai Hazushi UchiEvade body outside strike
    SEITEI KATA
    著杖Tsuki ZueArriving at/with the Jo
    水月SuigetsuMoon on Water
    引提HissageTo pull along
    斜面ShamenDiagonal strike to head
    左貫SakanPierce left side
    物見MonomiScout, patrol, lookout, watchtower
    KasumiHidden mist
    太刀落Tachi OtoshiDrop sword down
    雷打Rai UchiStrike like lightning bolt
    正眼SeiganAiming at eyes
    乱留Midare DomeStop chaos
    乱合Ran' AiJoin/bind chaos

     

     

    Omote 表

     

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    This is the first set of actual kata in Shinto Muso Ryu. It should be considered a tool for teaching the fundamentals (these existed before Kihon & Seitei Kata). Shimizu Takaji said these kata should be used to develop proper body movement, coordination/manipulation, and effective operation of the Jo. Timing of movements are not fast, but regular and measured with an even tempo. Keep in mind that in years past a student might reach Kage or Samidare before learning the Sword side of each kata.

     

    太刀落 (前・後)Tachi Otoshi (zen/go)Drop the sword down
    鍔割Tsuba WariBreak the Tsuba
    著杖Tsuki ZueArriving at/with the Jo
    引提HissagePull & carry along
    左貫SakanPierce left side
    右貫UkanPierce right side
    KasumiHidden in mist
    物見MononiScout, patrol, watchtower, lookout
    笠の下Kasa no ShitaUnder a hat
    一礼Ichi ReiInitial formality
    寝屋ノ内Neya no UchiIn the bedroom
    細道Hoso MichiNarrow road

    Chudan 中段

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    The second set of SMR kata, Chudan seeks to take what a student has learned in Omote and build upon this with increased speed and fluidity. Time to get out of the comfort zone and challenge the ability to perform the basic movements under more dynamic conditions. This can feel/look a bit rushed, and it might be. But with this comes the potential to expose more weakness in Jo technique. Then identify those weaknesses and rectify them.  

    一力Ichi RikiUnified strength
    押詰Oshi ZumePush & press close
    乱留 (前・後)Midare Dome (zen/go)Stop chaos
    後杖 (前・後)Ushiro Zue (zen/go)The staff from behind
    待車TaishaWaiting vehicle
    間込 (前・後)Ken Gome (zen/go)Step through a gap
    切懸Kiri KakeCut & suspend
    真進Shin ShinTrue advance
    雷打Rai UchiStrike like thunder
    横切留 (前・後)Yoko Giri Dome (zen/go)Stopping a side cut
    払留Harai DomeBrush away & stop
    清眼SeiganPure eye

    Ran’ Ai 乱合

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    This set of kata is not found in the traditional SMR scrolls conferred to students who have earned them. But it appears to have been developed in the Bakumatsu era (1850-1867)[2]. It incorporates and synthesizes techniques from Omote and Chudan in a long, dynamic set of movements. Performed with both the long and short swords.

    乱合 - 大太刀Ran' Ai - OdachiJoin/bind chaos
    乱合 - 小太刀Ran' Ai - Kodachi

    Kage 影合

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    This set of kata follows the same names as in Omote. The emphasis here is Accuracy. And a palpable increase in the use of zanshin, while maintaining a calmness of motion despite the changing flow of fast and slow.

    太刀落Tachi OtoshiDrop sword down
    鍔割Tsuba WariSplit the tsuba
    著杖 (前・後)Tsuki Zue (zen/go)Arrive at/with the Jo
    引提HissagePull & carry along
    左貫SakanPierce left side
    右貫UkanPierce right side
    KasumiHidden in mist
    物見MononiScout, patrol, watchtower, lookout
    笠の下Kasa no ShitaUnder the hat/umbrella
    一礼 (前・後)Ichi Rei (zen/go)Initial formality
    寝屋ノ内 (前・後)Neya no Uchi (zen/go)In the bedroom
    細道Hoso MichiNarrow road

    Samidare 五月雨

    (or Satsuki Ame)

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    This set of kata emphasizes a moving Hiki Otoshi strike, and other preemptive striking by the Jo. Continue to further develop zanshin. 

    一文字IchimonjiStraight line
    十文字JumonjiCross shaped
    二刀小太刀落Nito Kodachi OtoshiTwo swords, drop short sword
    微塵(前・後)Mijin (zen/go)Delicate speck/dust, insignificant
    眼つぶしGan TsubushiCrush eyeball/sight

    Gohon no Midare

    本の乱

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    Developed by Shimizu Takaji around 1940, it is not a part of the traditional SMR kata. But seems to be practiced by most SMR groups today. It is said that Shimizu Takaji felt this set was ‘not quite finished’. Thus you may see some variations between different SMR groups, but fundamentally these kata are  the same. It is said this group of kata is a synthesis of Omote/Chudan/Ran’ Ai/Kage. [2]

    太刀落の乱Tachi Otoshi no MidareDropping sword down chaos
    左貫の乱Sakan no MidarePierce left side chaos
    間込の乱Ken Gome no MidareStepping between the chaos
    霞の乱Kasumi no MidareMist chaos
    斜面の乱Shamen no MidareStrike side of head chaos

    Okuden 奥伝

    (or Shiai Kuchi 目録仕合口)

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    An advanced set of traditional kata, this is the last set before the Gokui Hiden. Emphasis is on kiai, zanshin, and overall breath control. The order of kata may be different depending on the SMR group.  

    先勝Sengachi
    引捨Hiki Sute
    小手搦Kote Garami
    十手Jutte
    打分Uchi Wake
    水月Suigetsu
    左右留Sayu Dome
    小手留Kote Dome
    突出Tsuki Dashi
    打付Uchi Tsuke
    見返Mi Kaeri
    あうんAun

    Gokui Hiden 極意秘伝 or

    Go Muso no Jo 五夢想の杖 

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    These represent the last and secret forms of Shinto Muso Ryu and are taught only to Menkyo Kaiden. 

    闇 討Yami Uchi
    夢 枕Yume Makura
    村 雲Mura Kumo
    稲 妻Inazuma
    導 母Dobo

    Heiden Bujutsu 併伝武術 (associated martial arts that are carried along with…. sometimes referred to as:

    Fuzoku Ryuha 付属流派

    (Assimilated Martial Arts)

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    Over time Shinto Muso Ryu incorporated other weapon systems into the overall curriculum. Driven mostly by the Kuroda Military Police, these other weapon systems were included in a way that reflected movements and principles found in SMR core kata. These groups of kata are taught to students gradually, after they have reached a certain level of proficiency in the primary SMR Jo kata.

    Included are: Shinto Ryu Kenjutsu – Swordsmanship, Uchida Ryu Tanjo Jutsu – short staff, Isshin Ryu Kusarigama Jutsu – Sickle & Chain, Ikkaku Ryu Jutte Jutsu – truncheon, Ittatsu Ryu Hojojutsu – prisoner restraint with ropes

    Shinto Ryu Kenjutsu

    神道流剣術

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    A Japanese sword, through Kenjutsu, is the primary weapon used against a person wielding a Jo. Thus its emphasis is paramount. The reality is that Kenjutsu skills are taught all through the regular SMR curriculum. It is said that ‘a strong swordsman will help build a good Jo exponent’. Also, Kenjutsu  is the only Fuzoku Ryuha actually listed in the SMR mokuroku.  *Some SMR groups use ‘Ai Sun’ instead of ‘Ai Suri’*. 

    合摺 (左•右)Ai Suri (hidari / migi)
    Jyu
    乳払Chibarai
    左輪Sarin
    受返Uke Gaeshi
    二刀合Nito Ai
    摺込Suri Komi
    咽中Inchu
    受流Uke Nagashi
    三受留Miuke Dome
    突出Tsuki Dashi

    Uchida Ryu Tanjojutsu

    内田流短杖術

    (short staff/walking cane)

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    The Tanjo is a walking staff/cane-length weapon. A relatively new addition to the overall SMR curriculum is, of course, based on the movements of the longer Jo. Uchida Ryogoro incorporated these European cane techniques into SMR sometime around 1885.  [5]

    小手打(左)Kote Uchi (hidari)
    小手打(右)Kote Uchi (migi)
    捨身Sutemi
    繰付Kuri Tsuke
    後杖Ushiro Zue
    水月(左)Suigetsu (hidari)
    水月(右)Suigetsu (migi)
    斜面(左)Shamen (hidari)
    斜面(右)Shamen (migi)
    拳砕Kobushi Kudaki
    脛砕Tsune Kudaki
    入 身Irimi

    Isshin Ryu Kusarigamajutsu

    一心流鎖鎌術

    (double-edged sickle & weighted chain)

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    The Kusarigama is sickle and chain weapon thought to have been incorporated into SMR during the 17th century. It is effective as a ‘distance’ weapon. A practical weapon for use in open areas, Kuroda Police found value and utility in this tool for law enforcement. Originally a double-edged blade, wooden handle with metal hand-guard, and a weighted chain. Today a wooden weapon and hemp rope/leather bag(fundo) is used for training.  Training is divided into three sets of kata: Omote, Ura, Okuden. [6].

    Omote & Ura (表 & 裏)

    居敷Ishiki
    添身Soemi
    羽返Ha Gaeshi
    無眼Mugan
    十文字Jumonji
    振込(前)Furi Komi (zen)
    振込(後)Furi Komi (go)
    磯之浪Iso no Nami
    巻落Maki Otoshi
    三所詰Midokoro Zume
    浮船Uki Fune
    袖搦Sode Garami

    Okuden 奥伝

    Zen/Mae
    Go/Ushiro
    Sa/Hidari
    Yu/Migi
    上 - 槍合せ
    Ue - Yari Awase
    下 - 槍合せ
    Shita - Yari Awase

    Ikkaku Ryu Juttejutsu

    一角流十手術

    (truncheon)

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    The (jutte) is a baton made of iron with a small tine or prong fitted just above the handle. The gripspace of the handle is wrapped with a cord that hangs down from underneath the handle with a tassle at the end. The jutte was mainly used by police-forces of the Edo-period of Japan and is known to have had over 200 variations.[4]

    A typical tessen of the Edo-period (1603-1868). This weapon is used in tandem with the jutte in some forms of Ikkaku-ryu
    Ikkaku-ryu fields a truncheon about 45 cm in length with a weight of about 550 grams.[4] It has a smooth shaft ending in a handle wrapped in a coloured cord ending with a hanging tassel. A small tine is attached just above the grip. Originally the colour of the wrapping-cord indicated the social level of the wielder.[4] The original design of the Ikkaku-ryu jutte had a hexagonal shaft cross-section with the tine attached to one of the corners instead of the flat surface.[4] The inside of the tine was also sharpened which enabled the wielder to use it for cutting if applicable.[4]

    The fan (tessen) used in Ikkaku-ryu is about 30 cm in length.[4] The fan was designed to look like a regular folding-fan carried by samurai and other nobles in the samurai-era when they did not have access to their swords.[4] These special tessens were in some cases either made totally of iron or had iron-edges thus enabling it to be a small self-defence weapon if required.

    The modern Ikkaku-ryu system fields 24 training-forms (kata) divided between 2 series called Omote and Ura. Some of the kata uses a war fan (Tessen)[4] in tandem with the jutte. The forms of the Omote and Ura-series share the same name but are different in application. [7]

    Omote & Ura (表 & 裏)

    右劔Uken
    左劍Saken
    残劍Zanken
    蹴上劍Ke Age Ken
    一亂劔Ichi Ran Ken
    入身劍Irimi Ken
    一風劔Ippu Ken
    見當劔Mi Ate Ken
    有當劔Uto Ken
    五倫劔Gorin Ken
    一聲劔Issei Ken
    霞劍Kasumi Ken

    References

    1. Jodo of Zen Nihon Kendo Renmei
    2. Shinto  Muso Ryu Kata 
    3. Matsui, Kenji. 1993. The History of Shindo Muso Ryu Jojutsu, translated by Hunter Armstrong (Kamuela, HI: International Hoplological Society)
    4. Krieger, Pascal – Jodô – la voie du bâton / The way of the stick (bilingual French/English), Geneva (CH) 1989,  ISBN 2-9503214-0-2
    5. Uchida Ryu Tanjo Jutsu
    6.  Isshin Ryu Kusarigama Jutsu
    7. Ikkaku Ryu Jutte Jutsu